{"id":205,"date":"2026-05-01T20:43:16","date_gmt":"2026-05-01T20:43:16","guid":{"rendered":"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/?p=205"},"modified":"2026-05-01T21:24:46","modified_gmt":"2026-05-01T21:24:46","slug":"espejo-inquietante","status":"publish","type":"post","link":"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/espejo-inquietante\/","title":{"rendered":"ESPEJO INQUIETANTE"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">ESPEJO INQUIETANTE<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Jaime San Mart\u00edn Amador y Alexandra Miller Sickert. Santiago de Chile, 2024.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Espejo Inquietante es el proyecto en donde convergen varios cruces disciplinares integrando a una exhibici\u00f3n el concepto de dramaturgia (entendida como una estructura temporal y narrativa). <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00bfC\u00f3mo puede una exhibici\u00f3n ser informada por una dramaturgia del espacio? \u00bfQu\u00e9 nuevo puede aparecer en las im\u00e1genes al convivir con la performance?<br>Este proyecto integra un tercer colaborador, trabajando con procesos de traducci\u00f3n digital de cuerpos y sus movimientos y con los lenguajes de Inteligencia Artificial \u00bfC\u00f3mo habitan y c\u00f3mo se afectan nuestros cuerpos con los espacios&nbsp;virtuales?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Direcci\u00f3n: Jaime San Mart\u00edn y Alexandra Miller<br>Performers: Varinia Canto Vila, Rodrigo Chaverini y Carmen Gloria Soriano <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Asistencia Te\u00f3rica: Elizabeth Collingwood-Selby<br>Producci\u00f3n: Cristian Mu\u00f1oz<br>Styling y rr.ss.: Emilia Pinto Labb\u00e9&nbsp;<br>Apoyo art\u00edstico y audiovisual: Alejandro Ignacio<br>Prensa: Francisca Palma<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Auspicio: Fondart Nacional 2024. Ministerio de las Culturas las Artes y el Patrimonio de Chile. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EXHIBICIONES<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">MAC Quinta Normal, CEINA, Galp\u00f3n Galer\u00eda. Santiago de Chile, 2024 <br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"660\" src=\"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-content\/uploads\/2026\/04\/Espejo_Miller-1024x660.png\" alt=\"\" class=\"wp-image-200\" srcset=\"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-content\/uploads\/2026\/04\/Espejo_Miller-1024x660.png 1024w, https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-content\/uploads\/2026\/04\/Espejo_Miller-300x194.png 300w, https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-content\/uploads\/2026\/04\/Espejo_Miller-768x495.png 768w, https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-content\/uploads\/2026\/04\/Espejo_Miller.png 1124w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><strong>Work Review<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">\u2028Unsettling Mirror is a project where multiple disciplinary crossings converge, integrating into an exhibition the concept of dramaturgy\u2014understood as a temporal and narrative structure. It asks: How can an exhibition be informed by a dramaturgy of space? What new dimensions might emerge in images when they coexist with performance?<br>The project incorporates a third collaborator, working with processes of digital translation of bodies and their movements, as well as with the languages of Artificial Intelligence. It raises questions such as: How do our bodies inhabit and become affected by virtual spaces?\u2028<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Artistic direction: Jaime San Mart\u00edn y Alexandra Miller<br>Performers: Varinia Canto Vila, Rodrigo Chaverini and Carmen Gloria Soriano<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Asistencia Te\u00f3rica: Elizabeth Collingwood-Selby<br>Production: Cristian Mu\u00f1oz<br>Styling  and social networks.: Emilia Pinto Labb\u00e9&nbsp;<br>Audiovisual creation Alejandro Ignacio<br>Press: Francisca Palma <\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Support: National Culture Fund. Ministry of Cultures, Arts, and Heritage of Chile<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><strong>EXIBITIONS<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Museo de Arte Contempor\u00e1neo (Museum of Contemporary Art), CEINA, Galp\u00f3n Galer\u00eda, Santiago de Chile.Santiago of Chile, 2024.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Espejo Inquietante MAC\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/16I4rj5F6uI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"> JAIME SAN MART\u00cdN &amp; ALEXANDRA MILLER- BIO<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/san-martin-miller\/\">BIO<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading has-text-align-left is-style-fotawp-heading-transparentfill-outline-stroke\">ARCHIVO CESUR<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading is-style-fotawp-heading-transparentfill-outline-stroke\">CESUR ARCHIVE<\/h2>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>ESPEJO INQUIETANTE Jaime San Mart\u00edn Amador y Alexandra Miller Sickert. Santiago de Chile, 2024. Espejo Inquietante es el proyecto en donde convergen varios cruces disciplinares integrando a una exhibici\u00f3n el concepto de dramaturgia (entendida como una estructura temporal y narrativa)&#8230;.<\/p>\n","protected":false},"author":1,"featured_media":202,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[72,75,64,99,73,61,60,62,63,125,69,76,71,66,68,9,65,67,70,74],"tags":[],"class_list":["post-205","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-3d","category-alexandra-miller-sickert","category-artes-vivas-e-hibridas","category-chile","category-cuerpo-virtual","category-dance","category-danza","category-dramaturgia","category-electrocoreografia","category-espejo-inquietante","category-interdisciplina","category-jaime-san-martin-amador","category-mocap","category-monitores-tvs","category-otros-materiales","category-performance","category-proyeccion","category-soporte-arquitectonico","category-transmedial","category-virtual-body"],"_links":{"self":[{"href":"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-json\/wp\/v2\/posts\/205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-json\/wp\/v2\/comments?post=205"}],"version-history":[{"count":16,"href":"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-json\/wp\/v2\/posts\/205\/revisions"}],"predecessor-version":[{"id":585,"href":"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-json\/wp\/v2\/posts\/205\/revisions\/585"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-json\/wp\/v2\/media\/202"}],"wp:attachment":[{"href":"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-json\/wp\/v2\/media?parent=205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-json\/wp\/v2\/categories?post=205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cesur.cuerpoytecnologia.cl\/wp\/wp-json\/wp\/v2\/tags?post=205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}